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Charterhouse of Parma

In an astounding act of literary improvisation, Stendhal dictated this complex and innovative novel, combining political and psychological realism with wit, irony and romance, in only 54 days. The result, which Henry James regarded as one of the dozen best novels of all time, feels in many ways like grand opera, an art form to which Stendhal himself was greatly attracted. The tale is set in northern Italy in the early decades of the nineteenth century. The plot revolves around Fabrizio del Dongo, an idealistic young nobleman, his aunt Gina Sanseverina (who loves Fabrizio more than perhaps she ought) and a large cast of other figures (many of them associated with the court at Parma) who have their own designs, romantic and otherwise, upon Fabrizio and his dazzling aunt. Readers who wish to avoid the spoilers in Balzac's delightful but detailed introduction to this edition should begin at section 5. (Summary by Peter Dann) (21 hr 43 min)

Chapters

A Study of M. Beyle, by Honoré De Balzac — part 1

55:22

A Study of M. Beyle, by Honoré De Balzac — part 2

42:05

A Study of M. Beyle, by Honoré De Balzac — part 3

36:24

Beyle’s Reply to Balzac

14:53

To the Reader

3:37

Chapter 1

31:35

Chapter 2

45:35

Chapter 3

33:20

Chapter 4

39:32

Chapter 5

46:21

Chapter 6 — part 1

43:03

Chapter 6 — part 2

44:14

Chapter 7

42:33

Chapter 8

34:31

Chapter 9

19:44

Chapter 10

15:12

Chapter 11

49:13

Chapter 12

31:10

Chapter 13

53:51

Chapter 14

43:28

Chapter 15

36:36

Chapter 16

35:35

Chapter 17

30:20

Chapter 18

41:38

Chapter 19

37:06

Chapter 20

52:26

Chapter 21

44:04

Chapter 22

39:23

Chapter 23

47:43

Chapter 24

40:40

Chapter 25

41:35

Chapter 26

36:01

Chapter 27

32:18

Chapter 28

36:43

Appendix

7:47

Fragment 1: Birague's narrative

13:05

Fragment 2: Il Conte Zorafi, The Prince’s “Press”

4:44